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Designer and writer Fatih Arslan published a tour of the lamps in his home on October 5, 2026, describing pieces by Artemide, Richard Sapper, Isamu Noguchi, Louis Poulsen and Arne Jacobsen. The report is a personal collection overview, not an announcement about a new product or industry development.
Fatih Arslan published a tour of the lamps in his house on October 5, 2026, sharing details about a collection that includes designs by Artemide, Richard Sapper, Isamu Noguchi, Louis Poulsen and Arne Jacobsen. The report offers readers a personal look at well-known lighting designs, their histories and the reasons Arslan keeps them in different rooms.
Arslan says he regularly shares lamp photographs on social media and receives questions about their makers and models. He writes that he designed a lamp himself, and presents the home tour as a response to readers’ interest. The lamps are shown in photographs taken in his house and discussed in no particular order.
The collection spans several decades of design. It includes an Artemide Tolomeo Mini, designed by Michele De Lucchi and Giancarlo Fassina in 1987, and a Tizio Micro, a compact version of Richard Sapper’s 1972 design. Arslan describes the Tolomeo as easy to reposition on a desk; he also says he made an adaptor to attach his lamp to a USM Haller desk. The Tizio’s arms carry electricity, avoiding wires along them, while counterweights allow the lamp to remain in position when moved.
Several lamps in the home belong to Noguchi’s Akari series, which Arslan says he likes enough to have placed around the house. His examples include the 1A, 3A, 16A and 75A. The 1A is a compact paper lantern; he finds the 3A most suitable for a low table or cabinet, while the larger 75A fills a room. Arslan says his 16A moved from his office to his bedroom and that the Akari lamps are made by hand at Ozeki, a workshop in Gifu, Japan.
The other pieces include Louis Poulsen’s PH 5 and PH 3/2, both connected to Poul Henningsen’s multi-shade approach to diffusing light, and an Arne Jacobsen AJ wall lamp. Arslan says he first noticed the PH 5 in the Danish film Another Round and later saw one in the home of designer Dieter Rams. He writes that the PH 3/2’s mouth-blown glass broke after an accident and that he waited months for a replacement.
How a Lamp Collection Shapes a Home
Arslan’s account shows how lighting can function as both household equipment and a form of collecting. He distinguishes lamps bought to illuminate a room from objects valued for their design history, construction and place in a collection. That distinction helps explain why he owns several Akari models and describes some lamps as shaping the feel of a particular room.
The report also gives practical details alongside design history: how a lamp sits on a desk or cabinet, whether it can be adjusted, and how fragile glass can be. For readers considering similar pieces, Arslan cautions that the lamps he discusses are expensive and says they may not be worth their prices on purely practical grounds. He points to IKEA designs as lower-cost alternatives and says vintage shops and fairs can offer the featured lamps at better prices.
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From Noguchi Lanterns to Desk Lamps
The lamps in the tour reflect different approaches to domestic lighting. De Lucchi and Fassina’s Tolomeo and Sapper’s Tizio are adjustable desk lamps, while Noguchi’s Akari series uses washi paper to create softly lit sculptural forms. Arslan describes washi as thin and slightly warm in color, and says it softens the light.
The two Louis Poulsen lamps draw on Henningsen’s work with layered shades. Arslan dates the PH 3/2 system to 1925 and the PH 5 to 1958; he says the PH 5’s 50-centimeter shade gives the model its name. The AJ wall lamp, designed by Jacobsen in 1957 for Copenhagen’s SAS Royal Hotel, adds an adjustable wall-mounted option to the collection. These dates and design details are presented in Arslan’s report, which is a personal account rather than an independent product review.
““Are they worth it? Probably not for their price, but for me they are worth every penny.””
— Fatih Arslan
Isamu Noguchi Akari paper lantern lamp
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What the Home Tour Does Not Establish
The report does not give prices, purchase dates or the condition and age of each lamp. It also does not identify the precise versions of every model beyond the names provided, or compare their light output, energy use or current availability. Arslan’s comments about value and room placement are personal judgments, not product-testing findings.
Although the report says authentic Akari lamps carry a red sun-and-moon stamp, it does not document the authentication of each lamp shown. The source also ends while discussing the AJ wall lamp, so it does not provide a complete account of how Arslan positions or uses that piece.
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No Further Product Announcement
Arslan’s published piece is a completed home tour, and it does not announce a sale, new lamp design or scheduled follow-up. Readers can use the model names and design details to research the pieces independently, while treating prices and availability as dependent on retailer, location and condition. Arslan’s broader point is that buyers need not choose expensive designer pieces: he says lower-cost designs and secondhand finds are alternatives.
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Key Questions
What is the news about the lamps in Fatih Arslan’s house?
Arslan published a home tour on October 5, 2026, describing the designer lamps he owns, their histories and where he uses them.
Which lamp brands and designers appear in the report?
The collection includes designs associated with Artemide, Richard Sapper, Isamu Noguchi, Louis Poulsen and Arne Jacobsen.
Which Noguchi Akari lamps does Arslan own?
He names four models: the Akari 1A, 3A, 16A and 75A. He says they are spread around his home and describes different uses for the models.
Does Arslan say designer lamps are worth their prices?
Not necessarily on price alone. Arslan says they may not be worth their cost as ordinary lighting, but are worth it to him as objects he collects. He also points to lower-cost designs and vintage shops or fairs as alternatives.
Does the report give current prices or buying advice?
No. It provides no current price list or market comparison. Arslan offers personal observations about cost and secondhand shopping, but availability and prices are not established by the report.
Source: hn
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